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At the same time Avid had the challenges of the new AAX plug- in platform, created by necessity rather than some marketing whim, legacy HD hardware and shoe horning some essential features such as offline bounce, that had frankly left Avid languishing behind some of the new kids on the block. Make no mistake about it being the industry standard is not the same as having all the features that other products have - a schoolboy error many critics of Pro Tools make. Professionals don’t buy Pro Tools for an endlesss list of features, but for workflow, performance, scalability and unbeatable editing. I say this to underline that if you were hoping that Pro Tools 1. Pro Tools is used on everything from huge movies scores, top recording studios and yes also those who make music for a hobby, this is easy to forget when wanting features. Pro Tools caters for such a broad church that they have to make product development choices based on that - not what might suit a small number of people. That’s a long winded way of saying that Pro Tools 1. Avid’s product managers have delivered what Avid’s marketing managers promised. The Review. We have taken much longer over this review than previous Pro Tools reviews, partly because to really assess if the claims made by Avid are true you have to do extensive testing, most of this around the new Avid Audio Engine, which is central to the improved performance. Can anyone confirm if Pro Tools 8 LE has better multi core/processor support than previous versions of Pro Tools? Specifically, when using low buffers like 128 and RTAS virtual instruments, it seems Pro Tools 7.x chokes more.By signing in, you agree to our Terms of Use. Forgot your Intel username or password? Terms of Use *Trademarks; Privacy. Apple Mac mini - 2.3GHz Quad Core Reviews. 8 customer reviews Customer Reviews. I run Pro Tools 10/11. In Pro Tools 10 I was able to run 68 audio tracks burdened down with 5 d-verb plugins in Pro Tools. Buy Pro Tools 10- Professional audio recording and music creation software: Production Stations - Amazon.com FREE DELIVERY possible on eligible purchases. What hasn’t helped in this research is the sparse information regarding how it really works and it has taken us some time and almost Columbo style “one more thing” tenacity to garner the information we needed. If you dig a little you can find a video from our friend Gill Gowing who does a good job of outlining the new features, but it would be nice not to have it hidden in a video called multiple times the processing. It would be good to see some articles, videos and indeed a manual section telling users how to get the best from these features. In the absence of finding this information easily there are a few of things you need to know about the new AAE when comparing performance. Firstly the dual buffer handles input and playback buffer sizes, so when you drop down your buffer size unless there is some kind of input such as an AUX or a channel in record/input monitoring then changing the buffer doesn’t utilise the low buffer setting but continues to play using the best possible playback buffer size. Of course that makes sense, one buffer (you can alter) for input and one you can’t for playback which is running at the higher rate, but if you want to run VI performance tests using this new dual buffer then you must have one of the aforementioned engaged. Secondly when changing buffer sizes you need to allow the AAE do some maths, normally about 5 seconds before pressing play or record. You can see it happening when changing buffer sizes or indeed adding plug- ins, open up the CPU usage meter and watch it shoot up for a few seconds and then drop right back down and settle. You can also see this if your have Dynamic Plug- in Processing engaged, which leads us to. If however you have cuts across the timeline with blank space where nothing happens either as audio or MIDI then you should see a difference. On a personal note I must be a little OCD because I do like all my tracks consolidated and hate having it all smattered across the timeline, so this may take some getting used to. Gripes aside, we’ve now spent nearly a week testing Pro Tools in all sorts of ways, opening old sessions, creating new tests and checking things like offline bounce (again we would love to know why some bounces run at 6. We have also been looking for bugs and yes as to be expected from any new software there are a few, but nothing life shattering. Pro Tools 1. 1 does what it says on the tin - it is considerably faster, enables one to open considerably bigger sessions - for example in our VI test which you can see here we managed to create a Pro Tools 1. Xpand. 2/Dverb channels and then it not only fell over but then refused to reopen the session. When running the same test in Pro Tools 1. Xpand. 2/Dverb channels but then ran out of tracks NOT power. Note that Avid only claim 1. When you add to this the offline bounce feature, essential when you do start to run out of power, then you start to realise that the kind of things that drove, in particular composer, nuts when working are greatly improved. It’s hard to overestimate how much of a creativity killer either getting “buffer error 7. I can say they are virtually a thing of the past. This is the chicken and egg conundrum for Avid, do they release Pro Tools without all the AAX plug- ins ported or wait. As we said at the start of this review once the announcement was made at NAB then Avid were against the clock, with or without the plug- in vendors. A combination of issues with the SDK, PACE and other existing vendor commitments mean we now see that some of our beloved plug- ins are not ready. Can i run Pro Tools 11 on 21.5-inch iMac 2.7GHz quad-core Intel Core i5? Asked by John D from Media; 04-Jun-2015 Flag as inappropriate (Can i run Pro Tools 11 on 21.5-inch iMac 2.7GHz quad-core Intel Core i5?). Support information regarding product highlights, featured content, downloads and more for Intel Hi all So a week ago my old dual 1.8 g5 mac died. I briefly panicked and didnt know what to do. Called a dealer and was told that HDX was coming at AES. Now Im on the search for a new mac that in. This means it is impossible to say how all the plug- ins are going to perform in Pro Tools 1. In fact it’s not even a guess, we know many of them are ready and going through final testing, you can see them arriving daily in reports and updates on our site. In some ways by the time the magazines come to review Pro Tools 1. Secondly the removel of TC/E and drag and drop from timeline has not gone down well, but we’ve already had a response from Dave Tremblay at Avid on this issue, so we should hopefully see a resolution sooner rather than later. So power aside what else does Pro Tools 1. It offers new metering, including multiple metering standards and dynamics metering for HD owners. It offers better visual routing with the new matrix routing view in sends. It also offers a complete revamped video engine all of which are long awaited features for post editors and studios alike. Mike will be doing some in- depth video and written articles for the post aspects of Pro Tools 1. Conclusion. Pro Tools 1. Pro Tools platform. Avid rockets forward with Pro Tools 11, a ground-up rewrite of the most popular digital audio workstation in the U.S. I’ve been using it since the days of Digidesign Sound Designer, then I had 2 tracks running on a Mac IICX at the cost of around . Thankfully Pro Tools 1. If you are a current Pro Tools user then yes, it is without question a huge improvement over previous versions of Pro Tools. If you are thinking about moving DAWs then check it out, it might be for you now it has the improved power and workflow enhancements, however another DAW may suit your workflow and wallet better. When should you buy it? Only you can make that call, but the simple answer is when you have the plug- ins you need in AAX format so that your workflow is not interrupted - before then would be somewhat ironic. Our poll seems to indicate the feeling of many existing users, you can see the results here. Our advice is to download the 3. Avid, it co- exists with Pro Tools 1. By the time the trial is over you may have all your plug- ins ported and then you can make the choice. An excellent version of Pro Tools from Avid and for this reason it gets Editors Choice. Hits. Improved power with 6. AAEBetter VI performance. Offline bounce. Enhanced workflows. New video engine Misses. Poor third party plug- in support at launch, especially for VIs. Sparse information on key features. Removal of essential workflow features that may prevent some people switching. Some of the HD only features only are a little mean, such as multi bounce sources. No TDM support. Tech specs here. Comparing Old and New Mac Pro using Pro Tools. In this post I will be comparing how Pro Tools 1. HD runs on a late 2. Mac Pro and how this compares to running it on the new Mac Pro 2. And in another post (coming soon) I’ll do exactly the same running Logic Pro X. Before I dive into the tests and results, let me first give you the specifications of the machines. The 2. 00. 7 Mac Pro is the first 8- core released by Apple. It has two Quad- core 3 GHz Xeon 5. Clovertown processors running Mac OS X Mountain Lion 1. The machine has 8 GB of RAM, a 5. ATI Radeon Graphics card, and the session is located on a separate Seagate Barracuda 2 TB drive. Contemporary hard drives are extremely fast as we’ll see a bit later. Specifications old and new Mac Pro. The other Mac is of course a late 2. Mac Pro with a 6- core Xeon E5 1. V2 . It has 1. 6 GB of RAM, dual D3. AMD Fire. Pro graphics cards, and I’m running the session off the same Seagate drive housed in a Fire. Wire 8. 00 enclosure connected to one of the Thunderbolt ports using an Apple Fire. Wire to Thunderbolt adapter. The 2. 00. 7 Mac Pro has an Avid HD Native card installed with an HD OMNI Interface connected. The 2. 01. 3 Mac Pro has the HD Native Thunderbolt box variant with the same HD OMNI Interface connected during testing. Testing on the 2. Mac Pro. The test session runs at 9. Hz and 2. 4- bit. Using these session specifications, Pro Tools 1. HD is able to run a maximum of 1. Later we’ll see how many the new Mac Pro can actually cope with if there are lots of plug- ins on the tracks. The session was initially created on the 2. Mac Pro to push it to its CPU limits. At the moment of writing it runs the latest version of Pro Tools HD, which is 1. At first the Playback Engine settings are set to get maximum performance out of Pro Tools. The Hardware Buffer Size is set to 1. Even though this is the Input Buffer meant for low latency during recording, it still reserves some CPU power when you are only playing back. The playback buffer size is set automatically in Pro Tools and can’t be altered manually. To have an honest comparison with Logic in a later post, I turned off the Disk Cache and Dynamic Plugin Processing options. And to be alerted when Pro Tools has received an error during processing, I turned off . A funny thing is that when Pro Tools is stopped, the CPU Usage meters are a lot more jumpy then when Pro Tools is playing. It even shows the occasional red 1. I have no idea why the meters respond like this. Perhaps because when idle, the meters only show an estimate of the processing. When playing, the processor of course knows exactly what has to be processed and therefore might give a better estimate of the CPU Usage. Do remember that I turned off the Dynamic Plugin Processing option, otherwise the CPU bar would drop immediately when not playing. In this session it drops to somewhere around 1. The track counter stops at 3. Audio tracks, 1. 0 stereo Audio tracks, one Instrument track, three Aux Input tracks and a Master track. All tracks, except for the Master and Aux tracks, contain seven plugins. These are two Sonnox Oxford EQ, one Oxford Dynamics, one Native Instruments Driver saturation/distortion, a T- Racks Classical EQ, the Elysia Niveau Filter and a T- Racks Quad multiband compressor. The Aux tracks each have an Oxford Reverb plug- in followed by the T- Racks Linear Phase EQ with the oversampling and linear phase function switched on. The Instrument track contains Massive followed by the same seven plug- ins from the audio tracks. The Master track has the same Linear Phase plugin followed by Native Instruments’ Solid Bus Compressor and a T- Racks Brick Wall Limiter. The track count might not seem impressive at first, but remember that the session has a 9. Hz sample rate, so all plug- ins process at 9. Hz. System Usage respectively during stop, stop with Dynamic Plug- in Processing turned on, and during playback. During playback the faders follow the automation reasonably smooth and the track meters are still accurate, even when opening plug- in windows. Although there is a slight hickup when opening a plug- in window revealing that this is a cpu heavy session. Turning off the automation with the . You can see this in the video below. If a lot of plug- in parameters were automated it would probably be a different story. Notice that the disk meter in the CPU Usage window hovers around 4. That’s all 4. 1 tracks being played from the one Seagate Barracuda drive. The drive could probably handle a lot more tracks, but I advise you to use at least two drives or a RAID system if you want to record more than 4. Especially for high pressure and high prestige projects. Avid officially supports no more than 3. If you use a higher Disk Cache setting to load the complete Pro Tools HD session into RAM, you of course have less of an issue with the drives. But even then, make sure you always have extra drives connected or available where you can save your session to in case your main drive fails or you come short in RAM. Installing Pro Tools HD Native. The Pro Tools HD Native set in my studio is basically transported from the old to the new Mac Pro. Instead of putting the HD Native PCIe card into an external Thunderbolt PCIe chassis, I opted for the Avid HD Native Thunderbolt breakout box. Performance should be identical to the PCIe card. A big advantage of the Thunderbolt box is that you get an extra and very loud headphone amp that is a welcome addition and sounds really good. The HD Native box is installed within minutes. It comes with a long Thunderbolt cable that also supplies the power to the box. It’s a very straightforward box with a Thunderbolt connection, two mini Digi. Link connections for external interfaces, one led that can be red or green depending on whether the headphone amp is on or off (you can set this by pressing the pot meter on the front of the box) and an extra power socket if the Thunderbolt port doesn’t deliver enough power. My only gripe with the box, is that it doesn’t give you a Thunderbolt thru port. This immediately takes away 5 of the potential 3. Thunderbolt devices that can be connected to the new Mac Pro (6 ports with 6 devices daisy- chained). I’m not sure if I would be comfortable daisy- chaining 5 devices behind the HD Native box, but the option of connecting at least one hard drive would have been nice. HD Native Thunderbolt box front and rear. Installing the Pro Tools 1. HD software is a breeze. Just drag and drop it in the application folder, install the HD driver and the Air Creative Collection, and you’re good to go. If like me, you have a large plug- in library, installation doesn’t end there. It took me another full day to install and authorize all my third party plug- ins. If you upgrade from another computer, don’t forget to deauthorize any plug- in licenses from that machine. Luckily most of the plug- ins in my collection have been updated to 6. The only developer I’m waiting for is Slate Digital. Steven Slate has already let us all know that VTM will be available somewhere in february together with VCC. FG- X will come somewhere in March. Good news is that they are also optimizing the code. Steven even tweeted a screenshot of Pro Tools running 2. VTM without breaking a sweat. There have been concerns about the i. Lok not working on USB 3 ports. I can confirm that they work without a problem. Either directly in the USB 3 on the new Mac Pro or in a USB 2 hub. I’m considering getting a USB 3 hub because the four ports on the Mac are already taken. Just like booting the new Mac Pro is really fast (1. Pro Tools is also very fast. In a Flash all plug- ins have passed, the only point where it takes a second is when it says . Pro Tools starts up in 5 to 6 seconds in my case. It might be a bit longer if you have more plug- ins. Testing Pro Tools on the new Mac Pro. It is finally time to run the session on the new Mac Pro. Opening the session is not any faster. That is because I took the hard drive containing the session out of my old Mac and put it into a Fire. Wire enclosure. This is now hooked up to the new Mac Pro via a Thunderbolt to Fire. Wire adapter. The session takes about 2. It is a whole different experience though when I open the converted session in Logic. But I will tell you all about this in another post. Just for reference I copy the session onto the new Mac Pro’s fast PCIe Flash drive. The session opens within an impressive 1. Can’t wait for those PCIe Flash drive prices to drop to a more respectable level. I might then replace all my external hard drives for PCIe Flash drives. It immediately becomes clear what a powerful computer the new Mac Pro is. Everything feels very snappy. Fader movements and meters respond precise to the automation and music. Changing windows, opening plug- ins and scrolling while playing all feel smooth without interrupting playback or the refresh of the user interface (meters, faders etc). The CPU Usage window also reflects the increase in power. The meters show an average position of 4. Mac Pro (see right most meter below). It has peaks of between 5. I would say the new Mac Pro is about 7. What strikes me again is that the System Usage meters are jumping a lot more nervously when the session is not playing back. Sometimes the little peak indicator of the top meter jumps to 9. See left meter below). This is with the Dynamic Plugin Processing option off. 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Serahkan draf teks ucapan yang lengkap kepada penyampai ucapan dua hari sebelum majlis. Dapatkan maklum balas untuk penambahbaikan. Serah semula teks ucapan yang telah siap disemak dan dibaiki. Contoh susunan isi. Menghadap majlis: ucapan salam, lafaz syukur dan sebut tetamu dan hadirin merujuk senarai protokol. Mengalu- alukan kehadiran tetamu dan mengucapkan tahniah kepada semua penerima anugerah. Konsep majlis anugerah kecemerlangan akademik sebagai acara wajib sekolah. Takrif kecemerlangan kurikulum dan ukuran pencapaian. Pencapaian peperiksaan awam bagi sekolah. Transformasi pendidikan: pentaksiran berasaskan sekolah, kemahiran insaniah, sistem modular. Perancangan dan pelaksanaan program kecemerlangan kurikulum. Peranan murid, guru dan ibu bapa dalam proses menuju kecemerlangan kurikulum. Keperluan kecemerlangan kurikulum dalam konteks perubahan persekitaran pendidikan. Ucapan tahniah kepada penerima anugerah: kecemerlangan mesti diteruskan sepanjang hayat. Terima kasih kepada semua pihak yang menjayakan majlis: tetamu, hadirin, jawatankuasa. Penutup ucapan: Contoh teks ucapan yang lengkap. DRAF UCAPAN TUAN PENGETUATerima kasih saudari pengacara majlis. Assalamu alaikum warahmatullahi wabarakatuh. Selamat pagi, salam sejahtera. Yang Dihormati .. Yang Dimuliakan Yang Dipertua dan barisan. PIBGPenolong- penolong Kanan,Guru Kanan, Guru,Yang dira’ikan para penerima hadiah. Ibu bapa. Hadirin dan hadirat. Saya rasa bertuah dan. Sesungguhnya majlis hari. SMK .. Saya percaya. Tuan puan dan penerima hadiah yang dira’ikan. Dalam konteks pendidikan, fungsi utama. Dengan perubahan persekitaran. Sejajar dengan Misi Nasional. Pelan Induk Pembangunan Pendidikan 2. Kertas kerja hari anugerah cemerlang 2012 1. Dari segi keuntungan, syarikat menetapkan harga supaya dapat memaksimumkan keuntungan dengan cara membuat anggaran terhadap permintaan dan kos. Dengan itu, harga yang dipilih lazimnya adalah tinggi yang membolehkan perniagaan. Sebagai. pengetua, saya akan sentiasa memastikan bahawa hala tuju sekolah ini jelas dan. Hadirin dan hadirat. Kemunculan sekolah sebagai pesaing dan juga. Cerita- cerita kejayaan dari generasi demi generasi. Buktinya, enrolmen murid yang terkini ialah sebanyak . Begitu juga dengan norma. Guru- guru juga diberi pendedahan yang. Saya memberi jaminan bahawa guru sekolah ini sentiasa. Semua pelajar di sekolah ini berhak.
Keputusan stpm 2012, urusan stpm modular: kerja kursus, sukatan pelajaran, dll. Def kehormat, ibu bapa, guru dan pelajar sekalian. Dari segi kemudahan dan prasarana fizikal, sekolah. Sebagai contoh, kemudahan kantin yang. Pihak sekolah juga ingin. PIBG dan Persatuan Bekas Pelajar yang banyak membantu sekolah bagi meningkatkan. Begitu juga. saya menghargai sokongan material dan moral para ibu bapa, masyarakat dan. Pada hakikatnya apa- apa jua projek naik taraf kemudahan fizikal sekolah. Justeru saya merayu tuan puan tidak akan berasa jemu. Tuan- tuan dan puan- puan. Pada tahun ini, SMK St Michael memilih slogan. Kecemerlangan Yang Sentiasa Diperbaharui. Insan bijak pandai, insan yang. Untuk tempoh yang terdekat ini. Saya sentiasa. optimis bahawa warga sekolah dapat berganding bahu dalam memastikan apa- apa jua. Kesedaran tentang pencapaian kecemerlangan hendaknya bersemi. Doakan semoga impian besar. Saudari pengacara, tetamu, guru dan murid yang diraikan. Seperti yang saya sebut pada awal ucapan. Domain kognitif atau minds- on memang masih unggul. Namun. kebolehan psikomotor atau hands- on. Kini. definisi kepandaian atau kepintaran telah diberi dimensi yang baru. Akses. kepada maklumat dan kemahiran tidak lagi bergantung kepada individu yang. Mahu tidak mahu, kita harus menerima hakikat bahawa. Kini sistem pentaksiran berasaskan sekolah telah diperluaskan. Di SMK ... kami telah bersedia ke arah itu. Kepada penerima hadiah, sekalung tahniah. Teruskan kecemerlangan anda. Nilai kebendaan hadiah dan sijil. Yang penting, kalian telah diberi pengiktirafan yang. Di samping mencongak kejayaan, usah lupakan. Bantu mereka, beri. Kelak kalian akan dikenang sebagai insan yang budiman. Bagi pihak sekolah, saya mendoakan agar kalian akan. Kepada ahli jawatankuasa majlis hari ucapan. SMK .. Kepada. tetamu dan hadirin, sokongan tuan puan akan dikenang sampai bila- bila. Wabillahi taufiq. Wassalamu alaikum warahmatullahi wabaraktuh. |
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